Last September I had the pleasure of hearing Melissa Stein and Maw Shein Win read poetry together at Rebound Bookstore in San Rafael, California. Toni and Joel Eis always are the consummate hosts at their poetry readings. They provide the quality refreshments--really good wine and cheese and, according to the season, other goodies. They give all of the proceeds from books sales to the authors. And they will rent their bookstore anytime for a modest price, if you want to schedule a reading outside of their ongoing series. In addition, they will take local authors' books on consignment. Rebound Bookstore is worthy of support.
I had heard Melissa Stein read before, and so I was excited to attend this reading. I hadn't heard Maw Shein Win. I was very pleasantly surprised. Usually when two poets read, one is far superior to the other. Melissa and Maw complemented one another beautifully. And they did something that I want to expand on in this post: they spent part of their reading time alternating poems from their latest books--Stein's Terrible Blooms (Copper Canyon, 2018), and Win's Invisible Gifts (Manic D Press, 2018). The result was an answer and call performance that was superb. I don't remember what poems they paired together, but I liked the idea so much that I wanted to introduce the idea to you, as a regular feature of this blog. And I can't think of two more appropriate poets for my first such post than Melissa Stein and Maw Stein Win.
Before I share a poem from each of their two books that I think pair nicely, I want to apologize to them both for such a brief treatment of their work. Due to deadlines with other writing projects, I am writing a short post this week. Be assured that in the near future I will post complete reviews of each of these books. For now, enjoy a teaser--a tasting of their books, if you will, with a poem from each.
The opening poem to Stein's Terrible Blooms:
If you're going to storm,
I said, do it harder.
Pummel nests from limbs
and drown the furred things
in their dens. Swell creek
to flood, unhome the fish.
Everything's gone too cozy.
Winnow, flush. Let's see
what's got the will.
Let's watch what's tender
choke or breathe. Try
to make a mark on me.
And then a poem midway into Win's Invisible Gifts:
The Indexing of Sensation
Jean comes into the library and passes wildflowers into my hands.
Put these in water, darling, and have a brilliant day.
I push the cart down the carpeted aisle.
The repetition of movement is a meditation.
The Art of Benin, Paula Ben-Amos N7397N5C5
Anno's Counting Book, Mitsumasa Anno PZ7A5875
The Forgotten Ones, Milton Rogovin TP820.5R64
The Balloon--A Bicentennial Exhibition TL615B34
Maps of countries that don't exist anymore.
The archiving of fantasies.
The referencing of systems.
The indexing of sensation.
Melissa Stein is the author of the poetry collections Terrible Blooms (Copper Canyon Press, 2018) and Rough Honey, winner of the 2010 APR/Honickman First Book Prize, selected by Mark Doty. Her poems have appeared in Ploughshares, American Poetry Review, Tin House, The Southern Review, New England Review, Best New Poets, Beloit Poetry Review, Harvard Review, and North American Review, among others.
Maw Stein Win is a Burmese American poet, editor, and educator. In addition to the full-length poetry collection, Invisible Gifts, she is the author of two chapbooks, Ruins of a glittering palace and Score and Bone. Her writing has appeared in many literary journals and anthologies, including Cimarron Review, Poetry International, and Fanzine, among others. She frequently collaborates with artists, musicians, and other writers.
Tuesday, February 5, 2019
Poet Pairings: Melissa Stein & Maw Shein Win
was born in the Midwest, grew up in New Mexico, and has lived in the San Francisco bay area for two decades. Terry's work has appeared in numerous literary journals, including Alaska Quarterly Review, Best New Poets 2012, Crab Orchard Review, Green Mountains Review, Great River Review, New Millennium Writings, and The Comstock Review. His work has garnered seven Pushcart Prize nominations. He is the winner of the 2014 Crab Orchard Review Special Issue Feature Award in Poetry. His chapbook, Altar Call, was a winner in the the 2013 San Gabriel Valley Literary Festival, and appears in the Anthology, Diesel. His chapbook, If They Have Ears to Hear, won the 2012 Copperdome Poetry Chapbook Contest, and is available from Southeast Missouri State University Press. His full-length poetry collections are In This Room (CW Books, 2016) and Dharma Rain (Saint Julian Press, 2017). Terry is a 2008 poetry MFA graduate of New England College. When he is not writing he is teaching as a regular speaker in the Dominican University Low-Residency MFA Program and as a free-lance writing coach. For more information about Terry and his work see www.terrylucas.com.