I met Stephanie Barbé Hammer at the first annual San Gabriel Valley Literary Festival held in 2013. I walked into the make-shift bookstore before its posted opening time to see if the clerk would take my chapbook and broadsides on consignment for the Lit Fest. Stephanie was standing on the customer side of the counter, reading a book through her red-framed glasses. I discovered that she was there for the same reason as I. Recognizing her as a member of my clan--the rare group of people who show up more than fifteen minutes before the posted opening of any event or business--I immediately liked her.
After she asked me who my favorite dead poet was, and we discussed the finer points of Whitman, I learned that she was a professor and a fiction writer, as well as a poet, with a new chapbook from the Chicago-based Dancing Girl Press (I went to grad school with its Editor-in-Chief, Kristy Bowen). I was ready to cancel whatever I was going to do next in order to attend her reading (which I did).
I'll never forget the short story she read, and how every time someone came in late, she would stop, look up, re-state the title--"Having Sex With a Martian"--as if she were saying "Have a seat, and try to keep up," and then proceed with the next sentence. Her magical realism fiction is...well, magical. And her poetry sets its hooks deep into the marrow of what it means to be human, with language that is quirky, yet accessible, overall providing just the right mix of mystery, pathos, and humor, subverting readers' expectations without losing them in the process. You'll see what I mean when you read the sample poem that she sent me for this post, "Woman to woman," from her most recent collection, How Formal (Spout Hill, 2014).
Woman to woman (for Alan Dann)
A woman came up to me in
Bloomingdales and said she liked my glasses and I told her
where to get them
and she said, “what do you think I am --
a millionaire?” and stomped
off.
A woman came up to me in grad
school and said she wished she was as smart as I was
and I told her where to
find the good theory books at the library and she said ‘what do
you think I
am -- stupid or something?” and threw
down her copy of Derrida’s On
Grammatology
and stomped off.
A woman came up to me in the
airport in Montpellier and said “Ce livre --
De La
Grammatologie par Derrida – c’est à vous?” and I told her I had picked it up off the
ground in North Carolina, and the woman said "Quoi? Vous êtes un connard
Américain?”
and lit a Gauloise and stomped off.
A woman came up to me in the
hospital and said “this is your baby,” and I took the baby,
but she said, “I
can tell already you’re a terrible mother,” and threw the baby blankets at
my
husband and stomped off.
A woman came up to me at the
swimming pool and wanted to know why my 2-year-old
daughter was laughing at her
classmate, and I explained that she had never seen a penis
before, and the
woman said “DON’T USE THAT FOUL WORD IN MY PRESENCE,
threw a beach ball at my
head, and stomped off.
A woman came up to me at my
house and said she wondered what all these little girls
were doing, drawing
with chalk on the driveway, and I said they were friends of my
daughter and she
said “YOUR CHILDREN ARE OUT OF CONTROL”, and the girls
started laughing, and
they all took giant steps behind her as she stomped off.
A woman came up to me at the
university and said she wondered why everyone was so
mean to each other on
campus, and I said “what do I look like – a therapist?”, and she
said
“actually, yes, you do,” and stomped off.
A woman came up to me at a
shopping mall entrance, and gave me a Kleenex because I
was crying into the
telephone fighting with my husband, and I said “thank you” and she
said “don’t
mention it; I know how you feel; you just wish you could stomp off.”
A woman came up to me at the
Northampton bus station, and she said she knew me from
somewhere, and I said “I
am your mother,” and she said “I know -- I’m just kidding and
being weird!” and
then she laughed and pretended to stomp off.
A woman came up to me on the
beach and she said she knew where all the magic stones were,
and I put down my
copy of Derrida, and laid out a beach blanket, and we took turns
stomping off
and looking for magic rocks and then bringing them back, lying on the
beach, telling
each other stories, while wearing each other’s sunglasses.
To catch Stephanie at AWP, plan to attend her reading at Chevalier's Books, 126 North Larchmont, Blvd., Los Angeles 90004, Saturday night, April 2, at 6:00 p.m.
Biography
Descended from Norwegian plumbers on one side, and broke bohemian Russian aristocrats on the other, Stephanie Barbé Hammer has published short fiction, nonfiction and poetry in The Bellevue Literary Review, CRATE, Pearl, East Jasmine Review, Apeiron, and the Hayden’s Ferry Review among other places. Stephanie’s 2014 poetry collection, How Formal? is available from Spout Hill Press. Stephanie taught Comparative Literature for many years in the University of California system, where she won two distinguished teaching awards. She continues to teach writing and the love of world literature at nonprofits, writers’ conferences, writers associations, bookstores and religious centers. Most recently, she served as a writer in residence at two private colleges in the People’s Republic of China. She divides her time between Los Angeles and Coupeville Washington, where she lives with her husband, interfaith blogger Larry Behrendt. She is a 4-time nominee for the Pushcart Prize.
Descended from Norwegian plumbers on one side, and broke bohemian Russian aristocrats on the other, Stephanie Barbé Hammer has published short fiction, nonfiction and poetry in The Bellevue Literary Review, CRATE, Pearl, East Jasmine Review, Apeiron, and the Hayden’s Ferry Review among other places. Stephanie’s 2014 poetry collection, How Formal? is available from Spout Hill Press. Stephanie taught Comparative Literature for many years in the University of California system, where she won two distinguished teaching awards. She continues to teach writing and the love of world literature at nonprofits, writers’ conferences, writers associations, bookstores and religious centers. Most recently, she served as a writer in residence at two private colleges in the People’s Republic of China. She divides her time between Los Angeles and Coupeville Washington, where she lives with her husband, interfaith blogger Larry Behrendt. She is a 4-time nominee for the Pushcart Prize.
1 comment:
Her magical realism fiction is...well, magical. And her poetry sets its hooks deep into the marrow of what it means to be human, with language that is quirky, yet accessible, overall providing just the right mix of mystery, pathos, and humor, subverting readers' expectations without losing them in the process.
What wonderful language to speak about language!
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